Original screenplay — “The King’s Speech,” screenplay by David Seidler
Adapted screenplay — “The Social Network,” screenplay by Aaron Sorkin
Original screenplay — “The King’s Speech,” screenplay by David Seidler
Adapted screenplay — “The Social Network,” screenplay by Aaron Sorkin
AJ Ferrara has entered into an agreement with Little Studio Films to co-produce his screenplay titled “A Noble Lie.”
Nicole Keefler signed a contract with PVP Animation to write an episode for the children’s television show “Jack” as well as an agreement with Nelvana Ltd. to write an episode for their animated series “Babar and the Adventures of Badou.”
Rob Gibson secured distribution last month for a film he produced, “Primal,” written and directed by Josh Reed.
Ken Wallace completed a narration rewrite last month for a Postproduktiv short special titled “Twilight Saga Eclipse -– The Obsession Continues.”
Nominations for the 83rd Academy Awards were announced yesterday.
Presentation of the awards is scheduled for Sunday, February 27, 2011, beginnning at 5:00 p.m. PT at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network. The Oscar presentation also will be televised live in more than 200 countries worldwide.
Angela Falkowska and Marla Hayes have optioned the rights to Anya Seton’s novel Green Darkness from Houghton Mifflin Harcourt.
Kirk Weddell has secured representation with literary management company IPG.
Kevin Lee Miller has been signed by manager Peter Meyer.
Germaine de Pibrac James has been hired by a Los Angeles production company to adapt a popular book into a screenplay. The budget is currently set at $10 million.
Denis Faye recently interviewed writer-director John Carpenter (Ghosts of Mars, Escape from L.A., Escape from New York, The Fog, Halloween, Assault on Precinct 13) at the WGA West site.
“… But see, you’re probably a born writer. I had to do it in self-defense. I had this student film, and I made it into a feature, and it was released. My hope was that when the movie was released, the studios would send a big limo and take me to the set, and then I’d start directing. But it didn’t happen that way, so I had to find another way of getting into the movie business: writing. I could write, and it doesn’t cost anything to just churn out ideas, so I became an idea machine and cranked out screenplays – and a bunch of them got bought, oddly, so I was lucky….”
Rick Holmes has secured representation with Leslie Kallen Management.
“Writers are always asking for feedback. The assumption is that it is always helpful. In many cases, it is. But there are those cases you should watch out for….”
“They say Hollywood is where the movie industry is. Let’s clarify, Hollywood is where business gets done but no longer where movies get made….”
Kevin Lee Miller’s action/comedy screenplay has been optioned by Sony producer Harry Gittes. “Happy Mother’s Day” is the story of an honest Chicago cop who battles to protect three mob witnesses from competing hit men only to discover the most ruthless assassin on his trail is … his own mother.