We are proud to announce that Vicki Rocco and her partner Amy Moreland had their script optioned. In the process, they made it to the Hollywood Reporter.
See the report of their success in the Hollywood Reporter:
Go To Article …

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Recent Community Blogs post — last installment of Rebecca’s notes from Day Three of the Sherwood Oaks event now available. Great stuff.
Go To Rebecca’s Blog …

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“Screenwriting is distilled writing. Using the fewest number of words to create the greatest possible impact.
“… How do you fight the writer’s natural tendency to be verbose?
“… One of my tricks is to imagine I’m sending a telegram at 35 cents a word, and I’ve only got $2 and change in my pocket. Instead of […]

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LA Weekly’s Nikki Finke reports that “the negotiations between the Screen Actors Guild and the AMPTP are not making any progress with both sides very far apart and very frustrated.”
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Your script may get read, but it won’t go anywhere unless the right people read it.
Go To Phil Gladwin’s Place …

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The amazing saga continues. Special Bonus — Links to “The Closer” video blog, another roomful of fun.
Go To John Rogers’ Place …

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Steve Miletich of the Seattle Times reports that “(a)fter being held for six days in Nigeria, four members of a Seattle-based documentary film crew arrived home Sunday, expressing hope their plight will call attention to what they called the destructive impact of oil production in the Niger River Delta.”
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Dozens of writers disagreed with WGA leadership’s decision to publicly identify and censure a number of writers who elected “financial core” status and continued to work during the recent strike. Strong comments were the order of the day at weblogs maintained by Craig Mazin and Ted Elliott, John August, and Nikki Finke.

Go To WGAw Site […]

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Veteran Ken Levine offers some valuable pointers on current practice aimed at landing a staff position.
Go To Ken Levine’s Place …

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The crew pranks a newbie, Rogers expounds the physics of index cards of the future, and a Reader Comment provides links to restickable glue sticks and dry erase paint. Meanwhile, from the looks of a February press release, “Leverage” could turn out to be a pretty cool show.
Go To John Rogers’ Place …

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Bloomberg.com’s Andy Fixmer and Michael White report that “SAG and the Alliance of Motion Picture and Television Producers … met today and exchanged proposals, the two sides said in a joint e-mailed statement.”
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Craig Mazin’s back, with a post mortem on the writers’ strike and new contract.
Go To Craig And Ted’s Place …

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Lisa reports promising developments with a recent contact. In a sidebar, she notes unfortunate collateral damage tied to the foreclosure market, and how people can help.
Go To Lisa’s Blog …

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Variety’s Anne Thompson reports on the drastic studio climate change that’s forcing producers to reinvent themselves.
“Producers and directors once accustomed to pitching a project at a studio and getting easy development money are stymied. Now they need to build muscles and an arsenal of skills they never exercised at the well-greased, slow-turning studio wheel.
“Some are […]

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“… The Warner Bros. Hallway Test. It’s brutal, and it illustrates a simple point:
As a screenwriter, your choice of film premise is your calling card. Not your witty dialog, not your clever descriptions. Not your knowledge of structure and subplot and subtext.
“The very first decision you make as a writer — ‘what is my film […]

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