“… I think there’s an excellent argument to be made on over-reliance on these structures … However, being able to see the broad moves within your work, using these structures as a handle on the sheer bear of bringing a film over the finish line … not a bad thing. At the very least they allow you to localize discussion when wrangling notes with executives….”
Rogers on the role of sequences, and the three questions every story must answer
May 20th, 2009 at 9:24 pm
Tags: Business & Craft